Friday, 28 December 2012

The Witch's Charmer.

He is the watcher,
Argus.
Eyes black as crows feather,
Reflected winter moon
Stained against a frosted blue sky
Sails through his vision.

Scutter.
The charmed one.
The witch's helper.
The grass nibbler,
The one who doesn't go straight home,
Old Turpin,
The stag of the stubble.

As I watched him
Beneath the weathered trees
The land for a moment appeared changed,
Under the light of spellbound moon,
Sharp as a blade,
A spear tip,
A glinting polished shield.

Shadows stirred and grew,
The grinding of corn between stones,
The hunters breath,
The stain of blood in the snow.

Like the woodcock in the sedge
I froze in stillness
Until released by a blackbird’s call,
To gaze abstractedly on the path of the hare.




The Half-light.

The flux of day and night
hangs like a curtain
as the tattered shrouds
of day, break and run
before the onslaught
of a marauding dusk.

The twin trees on the Edge
always so familiar,
take on sinister form,
stretching creaking limbs
out to embrace a new mistress.

Creatures that had lain hidden
in dens and grassy hide-a-ways
venture into their world,
blurred visions
on the edge of in-between.

Here in the half-light,
Where the trickster
turns from stone,
you glimpse a figure
dancing among
the shadow boughs.

He speaks the lore of trees,
The language of birds;
He is birch, alder, hazel,
apple, willow and oak:
he is shaman, priest, poet,
warrior, prophet and soothsayer.

Yet as night falls
the vision blurs,
the toadskin veil obscures
the riddle of hunter and hunted,
and all merge
as monstrous shadows
into the crowing darkness.


Patterns of the Past.

Burbage Edge. Winter solstice.

A secret note pushed into a wall,
A rune scratched hastily
onto a stone on the hill.
Birds talking in tongues,
the sedge, frozen to attention
struggles to whisper on a chill wind.

Bronze beech leaves crackle a warning,
A grouse scolds a kestrel
weaving patterns in the sky.
Tracks in the snow,
Badger runs criss-crossing
like a puzzle.

The randomness of the landscape
Encroaching
Confusing,
Challenging
The onlooker to comprehend.



The Edge.

The Path of the Hare.

Jimi Hendrix poster.

Setting sun over water

Tittesworth Resevoir.

Dew Pond.

Near Litton.

Scutter.

On a day frozen into stillness
The snow clawing at the land,
I stooped over a hare’s
Sacred, lifeless body,
The blood, dark on the ice
Like red wine,
Trickling from its nose;
Its hunted eyes –
Once so full of wisdom and mystery,
Black as moorland coal,
Gateways from the cages
Of our sanctity –
Were void of inner vision,
For its shadow -
Its spiritual being,
Now released,
Danced across the grouse moor
Free from persecution.

Its fragile body,
Displaced now in time
And relativity,
Its dreams slowly leaking into infinity,
Still felt warm to my touch
As I lifted it from the side of the road.
Inwardly I wept with despair and joy,
My voice gagged by earthen moss,
Afraid of the tangled woven threads
Of the primeval past
That passed through the land
Like sinews:
Afraid of the window on the world
Which opened up and shimmered before me,
As I felt the hare’s spirit
Pass into the earth,
Seeping like spring water
Into the crumpled green folds,
Into bones, flesh and blood.

The Vole.


The dreamy vole sniffs the air then takes to the river
Pushing the limpid water into v-shaped silken waves
As it makes for the far bank.
The River Wye sings a solitary song in the steep valley,
Flowing over worn smooth ancient rock, sometimes tumbling,
Sometimes racing and splashing, slapping the shore
With a dull muddy thud. Here on the bend where
The stripped trees over-hang, the water moves
With the motion of sunken dream, gathering hazy
Reflections to its surface like fragments of old film.

The rain-soaked mist clings to the river and coats the trees
With a damp veil which drips down with a soft plop,
Like water from a stalactite, into the reflections,
For a second distorting their images. Above the valley
Jackdaws and crows send their calls echoing
Through the muffled autumn stillness,
Soft with decaying leaves and sodden moss.

The loneliness of the moment sets sharp focus
My perception; a shiver runs through me, an ache,
An awareness so strong and so intuitive, that tears
Mingle with the mist – tears of rage and joy.
Questions unanswered flood like a current
Into my mind, tipping over the banks of my ignorance
And cascading into a void of confused sympathy and guilt.

As the vole reaches the far bank, this small harmless
Endangered creature, I realise I too am a tiny voice
In the wilderness, a single song in the universe,
Yet I marvel at the gift of giving and the spirit of the moment.
Then the vole is gone, disappearing into some hidden
Underground tunnel leaving only tiny, busy footprints
In the soft mud. I turn down the track to the old mill,
No longer sad, but feeling privileged to be part
Of the eternal cycle, no matter how tainted.

Water-cum-jolly

Reflections.

Sacred Tree, White Lodge.

The Tree of Rhiannon.

Gradbach.

Dane Bridge.

A walk around Castleton.

Monday, 17 December 2012

Cley Marshes.


        (For Bob and Al, and days spent on the marsh).

       Broken clouds scurry across the open horizon,
       heading out to sea.
       Fragile sunlight shimmers on still, mirrored water,
       dancing capriciously among the margins of the reeds,
       like Jack-o'-lantern; a golden orb, at once
       full of promise, yet strangely synthesized.

       Out of the rising morning mist,
       the bittern 'booms' his primeval song,
       older than all spirit: the echo that fills
       my unconscious mind, reveals only emptiness
       and longing, pouring into the frozen air
       like a flock of winter geese, robbing eternity
       of its vastness.

       Here I am truly alone,
       among the whispering reeds;
       prey to owls and the noises of the heaving sea,
       as it crashes onto the pebbles,
       grinding worlds to grit and sand.
       The marsh sways in rhythm to the chill breeze,
       dancing to the tune of its maker:
       to a thousand piping indistinguishable birds,
       that babble of inhumanity and mourn for justice,
       as the windmill turns the sky.

'Crying the Neck' Gunwalloe (Cornwall).


            
       The buzzard softly ploughed circles in the harvest sky:
       The breeze gently whispered through the hedgerow,
       Fingering yellow leaves already cursed to earth,
       As if fearful of breaking the hallowed moment.
       The old hare sat on his haunches among the stubble,
       Omen-eyed shape-changer that he is,
       Who creeps home late after harvest supper.
       Rose hips bled on naked prickly stems:
       John Barley wept beneath the acorn tree
       Down in the old meadow.

       "I Hav'n, I Hav'n," cried the farmer.
       "What Havee?” asked the Corn Men.
       "A Neck, a Neck," cried the farmer,
       As he held the last sheaf aloft for all to see.

       The throng moved off in silence,
       Their eyes lowered, as if in homage,
       To the good earth, drawn
       By the ringing of bells,
       The chime of six,
       From the church of St. Winwaloe,
       The little 'Church of Storms',
       Down in the cove.
       No pilgrim dared look up
       To see the buzzard who sang of death,
       Ever circling in the sky.

The Mytilenians.


               
            Like sad mourners of the earth
            The old women, wrapped in black,
            Tramp down the dusty roads,
            Dark birds in the afternoon,
            Their faces soaked with ancient sun.

            The shimmering heat fills the olive groves
            Where the sheep gather in the shade,
            And the goats and mules hang their heads  
                                     In the tired, hazy silence.
                                     Occasionally a farmer, his head covered
                                    By a scarf or straw hat,
                                     His skin ripened like fruit,
                                    His eyes as lively as a lizard,
                                    Will trot by on a donkey, laden with figs
                                    Or hay, the produce of his parched fields.
              
                                    On the walls of the white painted houses,
                                    The lizards slide in the corner of your eye,
                                     As the swallows who sweep the warm air,
                                    Gather on the wires, chattering in the sun,
                                    Eager for change; yet caught in the circle
            Of events, once witnessed
            Through far more ancient eyes.

                                    Last night I watched the full moon rise,
            Its dark craters, lunar seas and mountains
                                    As clear to me then, as the craggy desert peaks
                                    That surround me here in Erossos,
                                    The birthplace of Sappho; "sweet-stained" Anacreon.
   
            Her spirit still haunts the olive groves
                                    And the dark green scented forests,
                                    For harmony was truly born here,
                                    And surely lives on as aesthetic truth
                                    In the delicate light of morning,
                                   When history, myth and reality, intoxicate
                                   Your senses with the very scent of nature.